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Renaissance Man

  • Literature, Voices
Artist-architect and avid reader Michael Cu Fua leaves himself at the mercy of the myriad narratives and characters he encounters in his daily reads
  • May 15, 2022
Mirroring Words | Yuki Tejima on Kanto

Mirroring Words

  • Literature, Voices
Yuki Tejima takes us through the process of literary translation and offers a peek into her curated shelves in Tokyo
  • May 15, 2022

Man of Culture

  • Literature, Voices
PURVEYR’s Marvin Conanan ruminates on the beginnings and trajectory of the media brand he self-started, and the reads that keep his creative juices flowing
  • May 15, 2022

ASDA 2022 Philippine Winners Revealed

  • Events, Voices
Prize winners balance comfort and style with sustainability and environmental consciousness; could a Filipino designer win the ASDA finals?
  • March 23, 2022

Francis Kéré is 2022 Pritzker Prize Winner

  • Events, Voices
Contemporary architect and afro-futurist Diébédo Francis Kéré makes history as the first African architect to receive architecture’s Nobel
  • March 15, 2022

WAF and INSIDE 2022 Kicks Off

  • Events, Voices
The World Architecture Festival 2022 is now open for entries! We’ve got the details and a special discount for joiners and attendees
  • March 6, 2022
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kanto, [noun] Filipino for corner; intersection

Starting out as one-man passion project in 2015, Kanto has since grown into a five-year old creative title that touches on all aspects of life of the modern creative. We aspire to highlight creative voices around the globe in need of a stage, and to provide a venue for discourse on issues and themes that affect the creative professional. Made in Manila

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and contributors do not necessarily reflect that of Kanto.

Our Story

kanto, [noun] Filipino for corner; intersection

Starting out as one-man passion project in 2015, Kanto has since grown into a five-year old creative title that touches on all aspects of life of the modern creative. We aspire to highlight creative voices around the globe in need of a stage, and to provide a venue for discourse on issues and themes that affect the creative professional. Made in Manila

Kanto is published digitally four times a year.

© 2022 Kanto. All rights reserved.

No part of this website may be reproduced in any manner without permission from the featured artists and Kanto. The opinions of our interviewees and contributors do not necessarily reflect that of Kanto.

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All the
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SPACES
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PLACES
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OBJECTS
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PLAY
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The
Team

Mel Patrick Kasingsing
Editor-in-Chief 

Judith A. Torres
Editor-at-Large

Danielle Austria
Contributing Editor

Adrian Tumang
Executive Director

Dominique Umali
Finance Director

Ernest Jose
Marketing Director

Spaces of AWE
Publisher

  • Studio Vawter
  • Website Design &
    Development
  • Contacts
  • Advertising
Our Story

kanto, [noun] Filipino for corner; intersection

Starting out as one-man passion project in 2015, Kanto has since grown into a five-year old creative title that touches on all aspects of life of the modern creative. We aspire to highlight creative voices around the globe in need of a stage, and to provide a venue for discourse on issues and themes that affect the creative professional. Made in Manila

All the
Good Stuff

SPACES
  • Architecture
  • Interior Design
  • Built Heritage
  • Creative Corners
PLACES
  • Urban Design
  • Landscape Design
  • Travel
OBJECTS
  • Art
  • Graphic Design
  • Furniture Design
  • Food
  • Photography
  • Craft
PLAY
  • Film
  • Music
  • Theater
Voices
  • Vox
  • Events
  • Literature
  • Form Follows Values
  • The Optimistic Critic
  • Business of Design
  • Reviews
  • Browse by Issue
  • Privacy Policy

The
Team

Mel Patrick Kasingsing
Editor-in-Chief 

Judith A. Torres
Editor-at-Large

Danielle Austria
Contributing Editor

Adrian Tumang
Executive Director

Dominique Umali
Finance Director

Ernest Jose
Marketing Director

Spaces of AWE
Publisher

  • Studio Vawter
  • Website Design &
    Development
  • Contacts
  • Advertising

© 2022 Kanto. All rights reserved.

No part of this website may be reproduced in any manner without permission from the featured artists and Kanto. The opinions of our interviewees and contributors do not necessarily reflect that of Kanto.

CONTRIBUTIONS
  • Interested to contribute? Send us a note!
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