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53-Year-Old CCP National Theater to Get Much-Needed Facelift

  • Built Heritage, Spaces
CCP National Theater to undergo three-year-long rehab that promises to stay true to National Artist for Architecture Leandro Locsin’s original vision, with an eye on structural longevity
  • June 20, 2022

Iconic Ramon Magsaysay Center Slated for Refresh in Time for 65th Year

  • Built Heritage, Spaces
The Ramon Magsaysay Award Foundation partnered with the De La Salle-College of Saint Benilde’s school of interior design in envisioning revitalized spaces for one of Manila’s most iconic landmarks
  • June 12, 2022

Collective Treasure

  • Built Heritage, Spaces
Journalist Atom Araullo on National Artist Leandro Locsin’s architectural legacy and the necessity of bringing the larger community into the heritage preservation discourse
  • January 15, 2022

The Patina of Faith

  • Art, Built Heritage, Objects
The San Sebastian Basilica Conservation and Development Foundation Inc. embarks on a fully digital fundraiser for its restoration efforts, inviting 22 artists to transform damaging rust into life-giving works of art
  • January 12, 2022

An Introduction to Brutalism

  • Built Heritage, Spaces
An excerpt from Brutalist Pilipinas’ new primer on Brutalism, the first of a three-part series covering the architecture movement and its local application
  • August 26, 2021

If Walls Could Talk

  • Built Heritage, Spaces
With built heritage in the Philippines growing more endangered than ever, there is added urgency to advance the dialogue concerning preservation and progress
  • August 22, 2021
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kanto, [noun] Filipino for corner; intersection

Starting out as one-man passion project in 2015, Kanto has since grown into a five-year old creative title that touches on all aspects of life of the modern creative. We aspire to highlight creative voices around the globe in need of a stage, and to provide a venue for discourse on issues and themes that affect the creative professional. Made in Manila

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Our Story

kanto, [noun] Filipino for corner; intersection

Starting out as one-man passion project in 2015, Kanto has since grown into a five-year old creative title that touches on all aspects of life of the modern creative. We aspire to highlight creative voices around the globe in need of a stage, and to provide a venue for discourse on issues and themes that affect the creative professional. Made in Manila

Kanto is published digitally four times a year.

© 2022 Kanto. All rights reserved.

No part of this website may be reproduced in any manner without permission from the featured artists and Kanto. The opinions of our interviewees and contributors do not necessarily reflect that of Kanto.

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The
Team

Mel Patrick Kasingsing
Editor-in-Chief 

Judith A. Torres
Editor-at-Large

Danielle Austria
Miguel Llona
Contributing Editors

Adrian Tumang
Dominique Umali
Publishers

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Architecture Without Ego

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Our Story

kanto, [noun] Filipino for corner; intersection

Starting out as one-man passion project in 2015, Kanto has since grown into a five-year old creative title that touches on all aspects of life of the modern creative. We aspire to highlight creative voices around the globe in need of a stage, and to provide a venue for discourse on issues and themes that affect the creative professional. Made in Manila

All the
Good Stuff

SPACES
  • Architecture
  • Interior Design
  • Built Heritage
  • Creative Corners
PLACES
  • Urban Design
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  • Travel
OBJECTS
  • Art
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  • Furniture Design
  • Food
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PLAY
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Voices
  • Vox
  • Events
  • Literature
  • Form Follows Values
  • The Optimistic Critic
  • Business of Design
  • Reviews
  • Browse by Issue
  • Privacy Policy

The
Team

Mel Patrick Kasingsing
Editor-in-Chief 

Judith A. Torres
Editor-at-Large

Danielle Austria
Miguel Llona
Contributing Editors

Adrian Tumang
Dominique Umali
Publishers

Published by
Architecture Without Ego

  • Justin Buenagua
  • Website Design &
    Development
  • Contacts
  • Advertising

© 2022 Kanto. All rights reserved.

No part of this website may be reproduced in any manner without permission from the featured artists and Kanto. The opinions of our interviewees and contributors do not necessarily reflect that of Kanto.

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